The strain of intellectual condescension long found in literary circles, by which commercially successful novels are (i) _______ by reviewers, has surfaced in the world of contemporary art criticism. Artists with (ii) _______ are routinely (iii) ______ in critical publications, while those who produce deliberately inaccessible work and court no broad audience can seemingly do nothing objectionable in the eyes of the critics.

Blank (i)	Blank (ii)	Blank (iii)
A. disparaged	D. institutional backing	G. misrepresented
B. examined	E. popular following	H. neglected
C. romanticized	F. thematic ambiguity	I. excoriated