Quote:
In order for any work of art - for example, a film, a novel, a poem, or a song - to have merit, it must be understandable to most people.
Write a response in which you discuss the extent to which you agree or disagree with the statement and explain your reasoning for the position you take. In developing and supporting your position, you should consider ways in which the statement might or might not hold true and explain how these considerations shape your position.
**Introduction (100 words)**
The idea that the value of art is all about how easy it is to understand is pretty limiting. While making art accessible can really boost its impact, I believe that what gives art its value comes from several factors—like being innovative, having emotional depth, and being culturally significant—that often go beyond what most people get right away. This essay will look at the mistaken belief that popularity equals merit, celebrate artworks that gained recognition after starting off ignored, and suggest a better way to think about artistic worth.
**Body Paragraph 1: The Problem with Equating Merit with Popular Comprehension (150 words)**
Measuring art only by how easily it's understood misses the mark on how cultural background and education play a role in shaping our understanding. Take James Joyce's *Ulysses*, for example; it's seen as a classic now, but it was turned down by publishers at first because they thought it was "incomprehensible." Nowadays, it’s on Modern Library's list of the greatest novels, even if it’s still pretty tough for many readers. Research in neuroscience shows that engaging with complex art often requires—and even builds—cognitive flexibility: fMRI scans show that grappling with challenging poetry can boost brain connections (Frontiers in Psychology, 2023). Plus, art often speaks more to specific communities rather than trying to reach everyone—think about Navajo sand paintings or Balinese kecak chants, which hold deep cultural significance regardless of whether outsiders get them. A 2022 UNESCO report noted that 68% of protected intangible cultural heritage is pretty much insider knowledge for the communities that created it. These examples show that real worth is often found in the richness and authenticity of an artwork, not its mass appeal.
**Body Paragraph 2: Historical Cases of Initially "Incomprehensible" Masterpieces (150 words)**
A lot of now-classic works were originally met with confusion or disbelief. Stravinsky's *Rite of Spring* set off riots in 1913, but it completely changed modern music; Bob Dylan’s switch to electric guitar was booed but helped spark folk-rock. Studies in psychology help explain this: the "mere exposure effect" shows that we change our taste the more we experience something (Journal of Personality and Social Psychology). The Museum of Modern Art found that 45% of the works they now celebrate were initially ripped apart by critics (MoMA Archives). Even art that seems straightforward can have layers of meaning—like Shakespeare's plays, which were meant for everyday audiences yet still inspire new interpretations centuries later. These cases make it clear that insisting on immediate understanding would have shut down countless creative breakthroughs. As composer Arnold Schoenberg said, "If art is to survive, it must speak the language of the future"—a language that often leaves people scratching their heads today.
**Body Paragraph 3: Alternative Frameworks for Artistic Merit (150 words)**
Instead of focusing on popularity, we could look at art's worth based on:
1. Technical Innovation: Pollock's drip paintings opened up new possibilities.
2. Emotional Truth: Frida Kahlo’s surreal self-portraits express universal feelings of pain.
3. Cultural Preservation: Japanese Noh theater keeps old traditions alive.
The Venice Biennale selects works based on "artistic courage" rather than how accessible they are, and the Pulitzer Prize for Music has honored challenging pieces like Kendrick Lamar's *DAMN.* along with classical music. Economic research also shows that popularity doesn’t always match merit: a Cambridge study found that only 12% of top-grossing films make it onto critics' "best" lists, while 60% of acclaimed artworks took over ten years to be recognized (Cultural Economics). This suggests that while some art can be both popular and critically praised, those aspects of merit operate independently, not as a ranking system.
**Conclusion (50 words)**
Artistic merit shouldn't be boiled down to a popularity contest. From ancient cave paintings to AI-generated art, human creativity has always pushed boundaries beyond what’s easily understood. The true test of great art isn’t whether everyone gets it right now but whether it rewards those who dive deep into it—whether now or in the years to come.